Daniel Tosh and the “rape gag”

A lot of tweeting and general discussion about Daniel Tosh’s “rape gag” has gone on after a female audience member was offended by his questionable material about rape “always being funny”.  I’m generally for comedians being able to mine whatever subject they choose in order to not only elicit laughs from their audience but challenge taboo subjects and potentially make their audience look at their views and attitudes, but fundamentally this is not a subject many would, or perhaps should, find amusing.  That said, Frankie Boyle notoriously talks about child abuse (a lot) and Joan Rivers has material about the Holocaust that many would say is a innately unfunny area – however i don’t think either has ever suggested such topics are “always funny”.

The fact that the woman in question was offended enough to be moved to heckle says something in itself, and I am personally surprised that Tosh was unprepared for resistance to this type of material, and that his response to her obvious distaste was to joke about how hilarious it would be if the female heckler was gang raped, which as a put down seems a step and a half too far.  Ultimately his routine sounded decidedly unfunny and appeared to offer no justification for choosing the subject, other than for shock value.  I haven’t seen his set, so perhaps I shouldn’t comment, but with approx. 230 rapes a day in the UK (and fewer than 1 in 100 victims successfully convicting their attacker) it seems to me that it is a subject you shouldn’t touch without seriously considering what you are talking about.

http://www.btp.presscentre.com/Media-Releases/Do-you-know-this-man-Police-release-CCTV-after-woman-touched-inappropriately-Birmingham-Euston-1b6a.aspx

About Deborah Klayman

Deborah trained at Drama Studio London and is co-founder of Whoop 'n' Wail Theatre Company. She is an actress, musician and voice artist represented by Nelson Browne Management Ltd. As an actor, Deborah has performed in the UK and overseas in a variety of theatre and film roles. She is also a talented cellist, singer and voice artist. Deborah was one of the Traverse Fifty playwrights, and won the Cambridge University Press "Channel The Bard" competition for My Bloody Laundrette, which she co-authored with Whoop 'n' Wail co-founder Ali Kemp. Ali & Deborah are Associate Performers at the Old Diorama Arts Centre in London. Their new full-length play, But For Us, is currently in development. View all posts by Deborah Klayman

You must be logged in to post a comment.

%d bloggers like this: