.@Twitter: Optimised For Abuse

Caroline Criado-Perez

Last summer I was the target of months of violent, misogynistic abuse. The abuse was widely reported, although the worst tweets (most of the tweets), were never broadcast or printed, because the media deemed them too offensive. This left me in the rather unfortunate position of not only being driven to the edge of a nervous breakdown from the fear and strain of hundreds of tweets  coming in every minute telling me I would be maimed, raped and killed, but also being targeted by people who thought I was being a delicate flower and couldn’t take a bit of off-colour banter, or “dissenting opinion”. Nevertheless, the media pressure was such, that twitter was reluctantly, eventually forced to act. They streamlined their reporting process by including a link on each tweet to report it for abuse, and automatically included the link for that tweet in the report form. For someone who was…

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About Deborah Klayman

Deborah trained at Drama Studio London and is co-founder of Whoop 'n' Wail Theatre Company. She is an actress, musician and voice artist represented by Nelson Browne Management Ltd. As an actor, Deborah has performed in the UK and overseas in a variety of theatre and film roles. She is also a talented cellist, singer and voice artist. Deborah was one of the Traverse Fifty playwrights, and won the Cambridge University Press "Channel The Bard" competition for My Bloody Laundrette, which she co-authored with Whoop 'n' Wail co-founder Ali Kemp. Ali & Deborah are Associate Performers at the Old Diorama Arts Centre in London. Their new full-length play, But For Us, is currently in development. View all posts by Deborah Klayman

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