Monthly Archives: August 2016

Break ups, lesbians and procrastination

Whoop 'n' Wail

Friend of Whoop ‘n’ Wail, Lizzie Milton, tells us all about her playwrighting debut, female-centric comedy, and the importance of paying her actors:

Lizzie Milton Lizzie Milton

The Breaks in You and I is a lesbian break-up comedy. It is my debut production. It has a cast and crew comprised exclusively of women and I am paying all of them.

We are watching TV and it happens. It drops. All inside of me. I do not love you. In fact, I think you repulse me a bit. You know what triggered it? You farted. Right in that good bit in Being John Malkovich. And I know it seems like a little thing, but it becomes this whole big metaphor for our relationship. You, my darling wife, are dispersing your shit molecules all over the good bits of my life.

I started this piece during my MA in Writing for Performance and…

View original post 728 more words


Hashtag 52 plays by women

#52playsbywomen!

17percent

On Monday, a brilliant new international theatre parity advocacy call to action launches on social media: #52playsbywomen. This international campaign has been started by American writer Laura Annawyn Shamas.

Could you see a play by a woman a week for a year and tell everyone about it on Twitter? (Readings count and if there are not enough performed plays available by women writers in a specific region, reading a play by a woman playwright instead that week is fine.) This should last for a year, so that each participant will have experienced #52playsbywomen.
The rules are simple:

I. Pledge to see a play by a woman (including woman-identified) playwright each week for a year. If you’d like (optional), you can announce your pledge on social media, something like:
“I pledge to see a play by a woman playwright each week for one year to support #52playsby women. Follow…

View original post 43 more words